Vlog: How to Break Through Writers' Block

Ahh, the dreaded writers' block. We all hit a point at some time or another where the writing just isn't flowing anymore—but what can you do to break through it? Today I'm sharing my block-busting tips.


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How do you break through writers' block?

Twitter-sized bites:
Struggling with writers' block? @Ava_Jae vlogs some tips for getting through the dreaded slog. (Click to tweet
How do you break through writers' block? Join the discussion on @Ava_Jae's blog. #vlog (Click to tweet)

Fixing the First Page Winner #35!

Photo credit: Raccatography on Flickr
Brief pre-vlog post to announce the winner of the thirty-fifth fixing the first page feature giveaway!

*drumroll*

And the thirty-fifth winner is…


KK JENKINS!


Yay! Congratulations, KK!

Thanks again to all you wonderful entrants! If you didn't win, as always, there will be another fixing the first page giveaway in June, so as always, keep an eye out!

6th Blogoversary Giveaway Winners!

Photo credit: Clare & Dave on Flickr
First and foremost! The giveaway was another awesome success—thank you so much to all who entered! Now, the best part of any giveaway—the time to make lots of people happy—is now here. Here are the lucky winners!

  • Synopsis Critique (up to 1,000 words) from Laura Heffernan: Matt Mutshnick
  • Query Critique from Gabrielle Prendergast: Alyssa Purcell
  • 2 Query Critiques from Briana Morgan: Jamie Kay and V Yarrington
  • Query Critique + Follow-up e-mail + Synopsis critique (if wanted) from Gill Hoffs: Kelly Barina
  • First Chapter Critique from Jackie Yeager: Emily Moore
  • Query + First Chapter Critique from Akemi Dawn Bowman: Nicole Lowrey
  • Query + First Chapter Critique from Amelinda Berube: Sarah Pripas Kapit
  • Query + First Chapter Critique from K Callard: Bev Baird
  • Query + First Chapter Critique from Hayley Chewins: Lana Kondryuk
  • Query + First Chapter + 1-4 Page Summary Critique from Erica Cameron: Vanessa Valiente
  • Query + First Chapter Critique OR $75 towards her Graphic Design Services from Veronica Bartles: M.E. Bond
  • First 3 Chapters Critique from Kristi Wientgne: Cez Apollo
  • First 6 Chapters Critique from Megan Manzano: Brie Tart
  • First 50 Pages Critique from Nicole Tone: Layne
  • First 50 Pages Critique from Chelsea M. Cameron: Megan Trotter
  • Query + First 30 Pages Critique from me: Jacy Merrill
  • Query + First 30 Pages Critique from Katherine Locke: Bonnie Woodward

And the book winners!

  • ARC of Zero Repeat Forever by Gabrielle Prendergast: Stephanie Carmichael
  • ARC of Karma Khullar's Mustache by Kristi Wientgne: AdikMiftakhur Rohmah
  • Signed Hardcover of Beyond the Red by Ava Jae: Bonnie Woodward
  • Pre-order of The Girl With the Red Balloon (Amazon or B&N) + Signed Bookplate by Katherine Locke: Shawn Fournier
  • Signed copies of Behind the Throne & After the Crown by KB Wagers: Ellie Firestone
  • Signed Hardcover of My Seventh-Grade Life in Tights by Brooks Benjamin: Ingrid Cuanalo
  • Signed copy of The Girl Before by Rena Olsen: Mary Kate
  • Signed Hardcover of Iron Cast by Destiny Soria: Emily Moore

Thanks again to all who entered and congratulations to all of the winners! To those who see their names here, you should be receiving an e-mail shortly (if it’s not already in your inboxes—check the e-mails you gave the rafflecopter!).

Finally, if you entered to win a critique but didn't win, I will say I have some June and beyond openings available for big and small critiques alike, and the anniversary 5% sale (and 10% off #ownvoices) is running until May 31st—so feel free to take a look at your options.

That’s all! See you all tomorrow with a vlog.

Guest Post: What Reading Picture Books Can Teach You About Writing Novels by M.E. Bond

Photo credit: Megan Hemphill (Prairie & Co) on Flickr
With three kids under five I read a lot of picture books. In fact we usually have two dozen different picture books out from the library at any given time. So how can I use all this reading to benefit my writing, even though I'm working on adult novels? I came up with six ways to use picture books to my advantage; I think they'll help you, too.

  1. Mimic plot and structure. If you stop and think about what makes a satisfying picture book, you're sure to find applications for novel-writing. How is conflict introduced and resolved? How are surprise endings constructed? How do repeated imagery and phrases tie the story together?

  2. Reflect on rhyme and rhythm. You're probably not writing your novel in rhyme, but the rhyme and rhythm in a good picture book will inspire you to think about word choice and the cadence of your sentences. 

  3. Know what to leave unsaid. Often the best part of reading picture books is studying the relationship between the words and pictures. Think about what you want to convey with your writing and what you should leave to your reader's imagination.

  4. Consider different ways to approach a story. You'll often find picture books on the same topics – be it counting, welcoming a new baby, or getting ready for bed – not to mention those based on traditional stories (like these two retellings of the same Jewish folktale). Let them guide you as you take some time to think about different approaches to story-telling. 

  5. Find inspiration. The subject matter of picture books may well give you an idea for your next novel or an addition to your work in progress. For example, any of these 17 picture books about historical heroines could spawn a dramatic adult novel.

  6. Remember the joy of writing. When you're pressed for time reading aloud a beloved picture book may be the best way to remind yourself of the wonder of words and the magic of stories. Then you can press on, reinvigorated, to tackle your adult projects.

How do picture books inspire you? (And which are your favourite?)


M.E. Bond is a part-time writer and full-time mother living in Calgary, Alberta, Canada. She spends her writing time blogging about history, archives, and libraries, and endlessly revising her first novel, a mystery set on a university campus.

Blog | Twitter | Goodreads (including two shelves of favorite picture books)

Twitter-sized bite:
What can you learn from reading picture books? @MEBond_writer shares her experience on @Ava_Jae's blog. (Click to tweet)

Guest Post: The Author Portrait by Rachel Linn

Photo credit: María Garrido on Flickr
Be honest, when you sit down at your computer to compose your magnum opus, there’s a lot of knee-jiggling, nail-biting, and an alarming amount of palm-sweating. You want to experience the joy of putting words on the page, but the weight of actually writing things down keeps you poised on the edge of creation-- sometimes for months. This chronic paralysis develops because you’ve conflated who you are with what you create. It won’t resolve until you understand you are not The Author.

Margaret Atwood felt “the act of writing comes weighted with a burden of anxieties. The written word is so much like evidence—like something that can be used against you later.” And she wrote The Handmaid’s Tale for goodness sake! If anyone has a body of evidence to show off, it’s Atwood.

But the woman who wrote that quote in 2002 isn’t the same woman who wrote The Handmaid’s Tale in 1985. Yet she’s expected to be THE AUTHOR OF THE HANDMAID’S TALE all the time. While eating lunch. While brushing her teeth. While meeting rabid fans. Another Atwood gem applies here: “Wanting to meet an author because you like his work is like wanting to meet a duck because you like pâte.”

You can’t meet The Author because that person doesn’t exist. The person sitting there watering the keyboard with overmoist palms is not The Author. But it becomes impossible to separate yourself from the looming mythos you’ve create when you believe every sentence is a piece of your soul. So instead of getting anything done, you wait for The Author to show up and do it right. Aaaaany day now.

To cope with this paralysis, I’ve borrowed (stolen) Michel Foucault’s concept of the author function. Since “author function” sounds like a car part, I call it the author portrait instead. The author portrait’s not a person, but a curated accumulation of writing/performance that happens to be attached to a person. Namely you. It’s both an invention and a reflection: your ever evolving professional portrait. So your current draft doesn’t have to be profound any more than your grocery list does. They are just things you write down. When looking through your draft, don’t ask “Will readers like me?” Ask “Does this work enhance the author portrait I’m painting?” When critique partners criticize your work, realize they are critiquing your author portrait, not you as a person.

It’s dangerous to imagine you and your work are one entity, because your writing is meant to be consumed by others while you most certainly are not. Sometimes we fill ourselves with beautiful books and forget what we see is someone else’s author portrait. Behind that finished pâte was a grisly process where a person sweated over a keyboard (or quill pen) until they got over their own mythos and wrote. You and your author portrait are not the same, (and thank goodness) because you are so much more than The Author.

What do you think?


Rachel Linn is a dramaturg/librarian/writer in Atlanta who is passionate about novels, manga, gaming, and fan studies. She has a PhD in Interdisciplinary Arts and and MA in Theatre specializing in critique and critical analysis. On the side she writes a blog with her filmmaker husband called MarriedtotheAuthor.com.

Twitter-sized bite:
On Margaret Atwood, the Author Portrait, and more, @Married2tAuthor shares her guest post on @Ava_Jae's blog. (Click to tweet)

Guest Vlog: How to Make Writer Friends with Lily Meade

Networking can seem a little intimidating at first—but really, it's about making great writerly friends. The lovely Lily Meade is here today to talk about how to make friends with other writers.


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How do you make writer friends?

Twitter-sized bite:
Want to make some writer friends but not sure where to start? @LilyMeade shares some tips on @Ava_Jae's YT channel. (Click to tweet)

Fixing the First Page Giveaway #35!

Photo credit: Nicolas Ciotti on Flickr
Incredibly, we are exactly halfway through May! Which means, of course, as is always the case here on Writability, it's time for the next Fixing the First Page feature.

For those who’ve missed before, the Fixing the First Page features is a public first 250 word critique. Using the lovely rafflecopter widget, anyone interested in winning a public (as in, featured in a post on this blog) first page critique can enter.

For an example of what this critique will look like, here's the last Fixing the First Page post.

Rules!

  • ONLY the first 250 words will be critiqued (up to finishing the sentence). If you win and send me more, I will crop it myself. No exceptions.

  • ONLY the first page. I don’t want 250 random words from your manuscript, or from chapter 3. If you win the critique and send me anything other than the first 250 words of your manuscript, I will choose someone else.

  • I will actually critique it. Here. On the blog. I will say things as nicely as I can, but I do tend to be a little blunt. If you’re not sure you can handle a public critique, then you may want to take some time to think about it before you enter.

  • Genre restrictions. I'm most experienced with YA & NA, but I will still accept MG and Adult. HOWEVER. If your first page has any erotic content on it, I ask that you don’t enter. I want to be able to post the critique and the first 250 in its entirety without making anyone uncomfortable, and if you win and you enter a page with erotic content, I will choose someone else.

  • You must have your first page ready. Should you win, you need to be able to submit your first page within 48 hours of my contacting you to let you know you won. If 48 hours pass and I haven’t heard from you, again, I will choose someone else.

  • You’ll get the most out of this if it isn’t a first draft. Obviously, I have no way of knowing if you’re handing me a first draft (though I will probably suspect because it’s usually not that difficult to tell). I won’t refuse your page if it’s a first draft, but you should know that this critique will likely be of more use if you’ve already had your betas/CPs look over it. Why? Because if you don’t, the critique I give you will probably contain a lot of notes that your betas & CPs could have/would have told you.

  • There will not be a round 2 (unless you win again in a future contest). I hate to have to say this, but if you win a critique, it’s NOT an invitation to send me a bunch of your revisions. I wish I had the time available to be able to look at revisions, but sadly, I don’t. If you try to break this rule, I will nicely say no, and also remember to choose someone else should you win a second contest. Which would make me sad. :(

So that’s it! If you’re okay with all of the above and would like to enter to be the thirty-fifth public critique on Writability, do the thing with the rafflecopter widget below. You have until Sunday, May 21 at 11:59 PM EST to enter!


a Rafflecopter giveaway
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